TWiP Street Focus Interview
If you listen to any photography podcasts you may have heard of TWiP (This Week In Photo). If you're a subscriber then be sure to check out Episode 74 of Street Focus with Valerie Jardin, where I was the guest!
You can listen to the interview right here by using the player below, or head on over to the TWiP website, right here
I regularly post my Sleeping Commuters to a handful of places online including my Instagram account, the Sleeping Commuters gallery here on the site and a selection of Facebook Groups. When Valerie saw the project she very kindly invited me on the show to talk about it.
Valerie and I have both spoken a few times before via the internet, initially for my own Podcast; Ready Steady Pro and also back when I was a member of the beta testers for The Arcanum. I was on of the very fortunate people invited to test the platform and was a student in Valerie's 'Cohort'. So, knowing that whenever we've spoken in the past we've shared a few laughs during our discussion I knew that chatting about Sleeping Commuters with Valerie was going to be a lot of fun.
3 Photography Books to Inspire You for the Year Ahead (including Free Book!)
If you want to read this post then keep scrolling down, or if you'd prefer (and if you have headphones) click play below to hear me talk about the 3 photography books I've recommended right here in this post. If you're reading this in your mailbox you'll need to open this in your browser to list
All over Facebook I see posts with quotes that I imagine are trying to be inspirational and thought provoking. Whilst some of these I believe are rules to live your life by: "You must be the change you want to see in the world", others I've pretty much got into the habit of skipping past. These inspirational quotes are becoming so common now that it's just my instant reaction to keep on scrolling past them.
However, one did jump out at me recently: "Reading books is the way humans upgrade their firmware". Whilst to some this may just be another one of those quotes you skip past, it did make me think for just a second that when it comes to education and learning (especially with photography) some of the best lessons I've picked up over the years have came from books.
Sure, blog posts (like this one I hope) can provide all sorts of useful and Interesting information, books still tend to contain some of the best and most thoughtfully curated information. I guess if they didn't they wouldn't go to print!
The other advantages of reading books are huge - of course there is the benefit of learning from the actual content, but the act of reading improves your memory, reduces stress and can improve your language skills. We should all be reading more.
So, with that in mind I wanted to share with you some of the books and eBooks that really have stood out for me over the past few years. Some of these books I'll read every few months to remind myself of technical information. Others I thumb through when seeking inspiration, whilst others are fantastic motivators and are almost, to an extent, self-help books that have the ability to help you coach yourself through slumps in creativity and confidence.
There are thousands of photography and art related books out there, but here are my top three books to inspire, educate and motivate you for the year ahead:
1. Gregory Heisler: 50 Portraits
I've mentioned a few times that I love this book. Visually this book is awe-inspiring. The portrait photographs made by Gregory Heisler are incredible: engaging, amazing use of light and composition and need no words to tell a story. Despite that though this isn't just some coffee table book packed with images: it's a fantastic read too: Great stories surround each set of images and Heisler also provides us with an insight into the thought process behind each image.
The cover alone begs you to read this book! (image from Amazon)
This book actually contains more than just 50 portraits. For example the portraits of legendary basketball player Shaquille O'neal actually include photographs of his hands (sounds odd, but you have to read the book to see how incredible the photographs are). His hands are of course his tools as a basketball player and through images like this Heisler thought about more than just a head and shoulders-type portrait in great light, he sought to tell a story through his images.
This is a book that is not only a great read for the stories and what is written if you have the time, but as a book you can thumb through simply to look at the photographs themselves this is a book that will inspire you to raise your game to reach a new level and think more creatively.
Well worth a read. This is first on my list for a reason and is, at this point in time, my favourite photography book.
It's available both as an eBook (on Kindle) and a Hard Back. I bought the Kindle Edition with some vouchers I was gifted, but was then given the hard back as a present from my wife. The print version of this book does it far more justice and so I would recommend you pick up a hard copy and get away from a screen to enjoy this book in the format that it was intended to be read in. Print.
Download or Purchase '50 Portraits: Gregory Hesiler' right here on Amazon
2. The War of Art: Break Through the Blocks and Win Your Inner Creative Battles by Steven Pressfield
Personally, (and fortunately) I'm not someone who has yet struggled with a serious creative slump or had any sort of crisis of confidence. That's not me showing off, some people in life are like that. I do occasionally feel criticism getting to me when it's venomous or not constructive but then I remind myself that people are going to hate on you and your work in the world of photography. So I move on. That's life!
Having said that, when I started out making photographs I felt quite alone. Like I was the first person to be walking the path of frustration. Most of us experience that same learning curve where when we start out we believe we're close to learning everything we need to know (or with some people they think they already know it all). But, the more we learn, we realise how little we know and how much farther we have to go to get to the heady heights of those sitting atop the photography industry; those famous and legendary photographers that win plaudits & Pulitzer Prizes and accolades that many photographers aspire to.
Well, If I had known about Steven Pressfield's 'The War Of Art' when I first started, I'd have realised as I do now that this process is very, very common place indeed and that nearly all of us go through these stages at various times and that we all, in our own ways, battle with ourselves and our own creativity. Pressfield's book is about our internal battles. How we are truly the only ones who can both motivate ourselves to achieve the incredible, all the while being more capable than anyone else of being the person to completely destroy our own motivation and give in to resistance. Having known about this book and possibly had I been more willing to acknowledge what I could learn from books at a younger age / earlier stage, it would have made me realise it was okay and natural to believe that wanting more and better gear was the key to becoming better. (which I'll talk about more with my next book recommendation). Although this book, in my opinion, is perhaps more aimed at those in the literary arts, this makes it no-less relevant to us photographers. Upon reading this book I have no doubt you'll immediately identify yourself as the person that Steven Pressfield is talking to.
On page 63 of The War of Art, Steven writes (about being professional):
Someone once asked Somerset Maugham if he wrote on a schedule or only when struck by inspiration. "I write only when inspiration strikes", he replied. "Fortunately it strikes every morning at nine O'Clock sharp."
As soon as you pick up The War Of Art that passage will have more context. This book is full of gems and reads like a massive, entertaining kick up the backside to motivate you.
It's not a huge book either. I've read this book a few times now and each time it's taken just two evenings from one cover to another.
Just be sure to have a notepad to hand (or a highlighter if you're that way inclined and pick up the hardcover version)
3. Ten Ways to Improve Your Craft Without Buying Gear by David DuChemin (Free to download)
If you read any sort of photography books, then I'm sure that you've heard of Craft & Vision. A fantastic company that has pulled together some of the most talented photographer / writer / educators / business people to produce a variety of photography books. Some are aimed to educate us on the technical aspects of photography, whether it be lighting, getting sharper shots or even post processing, whilst other books are more business-oriented, like 'Ten Ways To Improve Your Craft Without Buying Gear By David DuChemin'
The author of this great book; David DuChemin has a saying: "Gear is great. Vision is better". I asked David DuChemin about this when I interviewed him for the Ready Steady Pro Photography Podcast, and the premise is not to discount what better quality or even different gear can bring to your work, but instead to realise that your own vision and creativity is what will make the most difference and that that should come first. It's ourselves we should look to constantly educate, rather than looking to upgrade our cameras every six months for the latest and greatest.
'Ten' is a concise eBook of just 18 pages. This book more than makes up for quantity with quality. In 'Ten' DuChemin provides us with 10 exercises to practise to improve our photography without the need to go out and buy more gear.
Yes, with each image in this fantastic eBook David shares with us his settings and gear used; this is to help educate. As the years roll on and this book becomes older and older the lessons here only become more relevant as the camera used is a Canon 5D (mark 1). By today's standards many photographers would turn their nose up at such a camera, citing it to have not enough focus points or not enough megapixels. But the fact is, it's the photographer that makes an amazing photograph, not the camera.
An easy read and one that you can pick up and put down after each of the 10 exercises to be consumed in bite-size chapters. This is a book not to be overlooked, especially considering it's FREE!
Ready Steady Pro Members Recommend
I'm only one person and can only read so many books at a time and so I reached out to the members of the Ready Steady Pro community and asked them what books they think you should be reading too. Here's what they said:
Chris Szulwach: 'Personal Best' by Elliott Erwitt
"Inspires me to be concentrating on moments, looking for the out of the ordinary that happens every day and not worry so much about technical perfection."
Paul Griffiths: 'The Decisive Moment' by Henri Cartier-Bresson
"A wonderful book that comes with an insightful commentary on his work and career"
Rob Dodsworth: 'Early Colour' By Saul Leiter
"The subject matter would otherwise be relatively mundane but the interplay between subject, his eye (his framing, composition) and the use of colour is often otherworldly! You find something new each time you revisit a frame!"
Simon Dewey: 'Minutes to Midnight' By Trent Park
"I don't know anyone who uses light as dramatically - the grainy black and white pictures have an otherworldly feel, yet are classified as Street. It's also beautifully bound - so a wonderful item to hold. Really looking forward to his next project"
What do you think?
Know any great photography, art or business books that you think we should all be reading? Drop a link in the comments below, I'd love to know what you have on your book shelves, saved on your KIndles & eBook Readers etc.
Happy New Year & The Best of 2015
I wanted to leave my 'Happy New Year' post until a week or so after New Year. I don't know about you but my inbox was full of offers, promotions, discounts and all sorts of other things that just added to the noise immediately after New Years. Everyone wants you to visit their site and buy their product. I felt that If I were to release this post just after Christmas, or on the 1st of January that I too would be adding your inboxes that are likely (like mine was) busting with things I just wasn't interested in.
Now that most of us are returning to some sort of normality and a sense of routine I thought it would be a good time to share with you, what I think, was some of my best work from 2015 and take a look back on those 12 months.
So, firstly I hope you had a wonderful Christmas and that you spoiled yourself with some lovely new photography-related goodies. Personally I think photography books are the best Christmas present. As great as new gear is photography books give you so much and can help you grow. If you get a new book at the beginning of a year it can really inspire and inform you for the year ahead. Whether it's business or technical, or even just a photo book filled with amazing photographs to inspire, photography books are fantastic. If you've received Amazon or book vouchers, one book I would recommend is Gregory Heisler: 50 Portraits. Wow!
Best Street Photographs of 2015
I found this to be harder than I thought this year. Usually I would just pick out 10 images and post them right here, but this year I thought instead I'd select a few more and put them in to a slide show. Some of these images are seeing the light-of-day for the first time, which surprises even me. As I looked back through my library in Adobe Lightroom there were a few images that jumped out at me - images that I had previously overlooked as good enough to share with the world. So, here are my favourite Street Photographs from 2015:
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Best Of the Rest
As much as I consider myself primarily a street photographer, the truth is that I photograph everything. 2015 saw me travel to Dubai, Venice, France (for the Le Mans 24hr) and Turkey. I moved to a new area here in the UK and of course I'm actually a wedding photographer 'by day' and so this year has seen me make some photographs that I just haven't made in previous years that I'm particularly proud of. I would add though that one massive change to my photography has been the move to the Olympus system. I'm not suggesting that without the Olympus I wouldn't have made any of these photographs however, there were times when I was undecided as to whether I'd take a camera with me because of the extra thing to carry. More often than not I took the camera but I do feel that If I were still shooting Canon and had to lug a DSLR body and a selection of not-so-small lenses, it would have been the other way round and I'd have been consigned to using my iPhone for moments that really called for a quality camera. Ben Nevis is a perfect example of this.
This was perhaps my favourite photograph from my trip to Scotland. This is not from Ben Nevis at all but was actually a photograph I took as I pulled over the car on the way home to jump out an make a final few photographs before leaving these beautiful landscape behind me. I was most pleased with the colours, the stream in the foreground, the rolling clouds - everything seem to come together to give me exactly what I was looking for!
Ben Nevis & Glencoe
Here are a few more from that same trip:
Macro Dandelions
Another surprise in my library of favourites were these images of Dandelions that I made using the superb Olympus 60mm f/2.8 Macro lens. Before this lens I had only used a Canon Macro lens on hire on a few occasions for weddings. My need and desire for a Macro lens never warranted me owning one, however when making my switch to Olympus and making a sizable investment in new kit I decided that a Macro will be part of that. Before my first wedding of 2015 I took it to the lake near my house to see what i could find to photograph with it - and this was the result:
From that very same trip here are a few more Macro's of Dandelions. I find the close-up detail fascinating!
Motor Sports
If you've been following me for some time you may be aware that each June I make my way to Le Mans in France to watch / photograph the legendary 24 hour race. Although this photograph isn't from the Le Mans 24 Hour Race (it's from the 6 hours of Silverstone here in the UK (another date on the same race calendar) this was the first time I had put the Olympus OM-D E-M1 through it's paces and shot motorsport with it. It was on this day, with photographs like this, that the E-M1 proved to me that it was able to do what my Canon DSLR could and that my switch to Olympus was a justified move. I wouldn't have been overly upset had the E-M1 not been able to produce the goods, but knowing that my new favourite camera was a match for the system I had just moved from, it made me very happy indeed. The post I wrote about the E-M1 and motorsports was also one of my most popular posts in 2015 as well. This was also the first time I really got to put the astounding Olympus 40-150mm f/2.8 PRO through it's paces.
For more E-M1 motorsport photographs have a look at my post 'A Day At the Races with the Olympus OM-D E-M1'
Richmond Park
This was a memorable day for me, as much for what I saw with my eyes as for what I managed to capture with the camera. This was perhaps the most golden of golden hours I have ever experienced. The light really was the colour you can see here in the photograph:
I've been to Richmond on numerous occasions to capture the stags rutting and the images I usually make are close ups of the stags with as much detail as possible. I tend to end up coming home with technically sound images; well cropped, good Depth of Field and sharpness etc. Being a park the images almost always have a dark or green feel to them as well. But this particular day I wanted to try something different than what I had before and the Golden Stag above reflects that. I was really pleased that what I had when I got home was something a little different and that, for me, was very reflective of 2015 as a whole. In part thanks to the EVF in the Olympus, more in part to my own personal development and growth as a photographer. Here are a few more from that morning in Richmond:
Summary
So my top picks for 2015 certainly differ dramatically from my look back in 2014 (which you can find here: 2014 Top 10). You'll see that back in that review I was still between systems; shooting both DSLR and Olympus (mirrorless). Whilst for many it doesn't have to be a question of one system or another, for me, I simply found that the Olympus was a very intuitive system to use and the EVF allowed me to (literally) see what it is I was about to capture. This made 2015 a year where I learnt even more about photography; with a solid technical background I found I was now able to more easily break rules and try out new things with a higher chance of success.
Throughout 2015 the only camera I have used has ben either the Olympus OM-D E-M5 or the OM-D E-M1. And I couldn't be happier.
Show me your top 10 from 2015
I'd love to see your top 10 or even just some of your favourite images from 2015. Drop a comment in the comments section below on the blog and be sure to include a link.
Postcard Photographs of London
I went out and about in London last week with my good friend Paul Griffiths, host of the Photography Live and Uncut Podcast & YouTube channel. I find it much harder to produce my best Street Photographs when I'm with someone else, mostly because I'm distracted by the chat, but on occasion it's good to get out there with someone else and discuss photography as well. On this day I captured photographs a little different to my usual street style
All of the photographs you see here in this post were made using an Olympus OM-D E-M1 Micro Four Thirds Mirrorless Camera and the Olympus M.Zuiko 17mm f/1.8
On this particular day I was quite pleased with some of the street photographs I had made, but I was more pleased with the postcard style photographs of London I had managed to capture towards the end of the walk. We were very fortunate to have a beautiful sunset combined with typically dramatic British clouds, giving for a sky that was asking to be photographed. So, whilst I've photographed Big Ben so much to the point I often don't even look at it when I'm walking by it, this day I simply had to get a shot!
Big Ben (The Elizabeth Tower) at Sunset
The post processing here is a simple shadow lift in Lightroom and a little bit of sharpening. I used the brush and applied some added clarity to the clouds as well.
We made our photographs of Big Ben with the dramatic cloud back drops and moved on to the south side of the river. The sky was still glowing at this point and so more photographs were in order. The vibrant gold had somewhat faded by by this point, but the clouds had shifted. I opted for an in-camera HDR here because I was shooting in the direction of the sun but wanted to maintain some detail in the Jubilee Bridge. I set my Olympus OM-D E-M1 to bracket for 3 stops and exposed half a stop over, meaning I captured all the details in the shadows. I didn't have my tripod or even my Joby Gorillapod with me, so I simply rested the camera on the wall.
Post Processing here included taking the image in to SilverEfex Pro2 and applying the Full Dynamic Range Smooth filter to really enhance those clouds. Then, back in Lightroom I bought the shadows up and the highlights down.
After a few minutes we ambled towards South Bank, which from where we were walking would take us under the London Eye. Another tourist attraction that I often don't look twice at because I find it awkward to photograph. Again, having it seen it so many times now (especially as I get in to London at Waterloo Station) I tend to walk on by without shooting it. But, another positive of walking around London with someone else is that you'll often find yourself stopping to wait for them and sometimes shooting things you perhaps wouldn't usually photograph. This is an example of just that:
The next day I was back in London for work and spent the day at the office, not really getting out. In England at this time of year (December) it's dark by 3:30pm and so by the time I had left the office it was pitch black. But I like this! If you're a subscriber to my blog or read the monthly Olympus Magazine you may recall I was featured back in June - even though the work shown in the magazine was photographed during the darker winter months.
From my office in the rather palatial St James' area of London I prefer to walk the route back to London Waterloo, rather than jumping on the tube. The difference in time is negligible, but the photographic opportunities are much better. My route often takes me back through Covent Garden.
One of the great things about London though is that it's never really that dark. The quality of the light isn't fantastic, but if you look for the illuminations and sources of light you can usually get a shot worth sharing. And with the incredible dynamic range that the E-M1 offers us, we can be sure that we're going to get some details in the shadows:
I took a little detour through the market in Covent Garden, which is always illuminated, no matter the time of year, but at Christmas it's really quite special:
This last one is for the Star Wars fans among us :) Like many people out there, I'm counting down to the 17th December as much as I am Christmas. I've booked my tickets to see The Force Awakens at the London Science Museum where I'll be watching the movie in 70mm format! Exciting times!
You can download all of the Hi-Res files in a Zip file right here (13.4Mb), or you can view each photograph in full size by clicking each photograph below. (Just click the download link beneath each picture to download them individually). Alternatively, you can click to enlarge, right click on the image and then choose 'Save As' if you're using a Windows computer
All of these photographs are 2560 pixels on the longest edge (suitable for most Macs and widescreen laptops and monitors).
For more posts like this and information relating to Olympus Cameras, photographic techniques and general musings - be sure to subscribe to the blog!
Thanks for stopping by.