Event, Interview, Meetup, Photography Michael Rammell Event, Interview, Meetup, Photography Michael Rammell

London Photo Walk - April 2017

Come and join me on the first of my London Photo Walks for 2017!

Click the audio player just below to listen to the audio, or watch the announcement on YouTube instead. Can't listen or watch right now? All of the details are below if you'd prefer to read instead!

On Sunday 30th April I'll be hosting my annual walkabout in London. As always this is a completely FREE event and a chance for you to come and meet myself and some other like-minded photographers. With limited spaces available I would encourage you to register your place as soon as you can using the form at the bottom of this post (those of you viewing this in your email may need to open it in their browser), or head on over to the events page to register.

As is very much the tradition with all the walks I host and as past attendees will attest; we will start out at one of London's best coffee shops - The Department of Coffee and Social Affairs on Carnaby Street. We'll then hit the streets, with plenty of stops for discussion (and more coffee!). We'll cover a couple of miles before then ending with a meal to discuss the day (optional)

What, Where, When?

Date: Sunday, April 30th
Meeting Time: 13:00 (UK Time)
Finish Time: Circa 17:30 (UK Time)
Meeting Location: The best coffee shop in London! If you've been on one of my walks previously you may well be familiar with The Department of Coffee and Social Affairs, on Carnaby Street (W1F 7HD). I'll be there from around 12:00, so if anyone wants to meet for a delicious pre-walk coffee, stop by and we'll get acquainted. This rather small, but superb coffee shop is located at the North end of Carnaby Street down one of the small alleys. Look out for the Black signs.
Transport: To get to Carnaby Street you'll need to take a short walk from either Oxford Circus (Central Line) or Picadilly Circus (Bakerloo Line)

Register

To remain up to date with any possible changes to the walk and to register your FREE place, be sure to complete the form below. I look forward to seeing lots of you there!

[NOTE: registering for this walk will subscribe you to the Blog. You can unsubscribe at any time, but to ensure you remain up to date with changes to the itinerary, please be sure to remain a subscriber until after the walk]

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Review, Product, Photography Michael Rammell Review, Product, Photography Michael Rammell

The Street Photographer's Manual

I often go for a short walk during my lunch breaks from the day job, and a few weeks back I found myself in the local Waterstones (a book shop here in the UK). Inevitably I ended up browsing through the Photography section. Whilst all the usual suspects were on the shelf; such as Humans of New York and various great books on Magnum Photographers,  (many of which I have), there was one book I came across that was new to me: "The Street Photographer's Manual".

I want to share with you today my views on what I think is a pretty spectacular find and one that anyone with a love for both Street Photography and a good book should pick up.

This is a relatively new book, first being published back in September 2014. I've had it for a few months now at the time of writing this post and have read it through a few times already. The Street Photographers Manual is a book you can pick up and put down quite easily thanks to it's bite-size sections. On occasion I've found myself pondering something related to Street Photography and have turned to the book to get David Gibson's (the author) opinion on the subject. For example recently in a number of Street Photography groups I've seen photographs of homelessness. One of my own rules when it comes to shooting on the street is to not photograph the vulnerable (those who are homeless). Upon having a look at the contents page you can quickly see that there is a section on Ethics, and it is in this section that Gibson discusses the fine lines and approaches, again giving examples of how the differing approaches worked for 'the greats' of street photography.

The Street Photographers Manual introduces the reader to the world of street photography by first diving into what it is, the variations, where it came from and how it's developed over the years. It's then from here that we can study each aspect of this art in further detail by studying compartmentalized chapters, discussing ethics, humour and more.

Whilst the book itself may be called a manual and does in fact offer instruction to help you create more thought-out and intentional street photographs, this is also a very impressive and vast study of street photography. This book looks at both various techniques and elements that contribute towards stronger imagery and makes use of examples by the greatest street photographers of our time such as; Elliott Erwitt, Bruce Gilden, Saul Leiter, Trente Park and more. These examples give the book's instructions conviction and only serve to show that this thorough - yet concise - book is something you can not only read for inspiration, but learn from at the same time. Within each chapter we are introduced to either another master of Street Photography or another technique of shooting on the street, each accompanying a sample of that master's work or an example of that technique in action to best explain and demonstrate the case in point.

The Street Photographer's Manual is filled with both fantastic photographs and practical guidance in equal amounts.

The author; David Gibson is a street photographer and well respected photography tutor, having taught in many countries and some rather prestigious establishments. It's clear that Gibson has drawn upon his educational experience when writing this book.

I can see this being a book i refer back to time and time again already.

I would definitely recommend this book to anyone with an interest in street or documentary photography. And, if you're unsure if that is you or you're not certain what street photography is - that's all in the very first chapter :)

Pick up The Street Photographer's Manual from Amazon today

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Event, Gear, Meetup, Photography Michael Rammell Event, Gear, Meetup, Photography Michael Rammell

Gear for Street Photographers

On April 18th I'll be hosting another great photowalk in London! If you're a subscriber to the blog then you may have already seen that this walk will be something slightly different to the usual walk.

Previously, walks have started in the morning with us stopping for lunch, however, this walk will start at 1pm and see us take in quite an extensive route. We'll make a 4pm stop in Covent Garden, whereby those wanting to join the walk at a later time can meet us then.

The idea behind the later start is so that we can stay out later and photograph London at night! The sights and scenes change when the sun goes down and of course the way you shoot will also have to change: higher ISO's, lower shutter speeds and pockets of illuminations. There's more though: long exposures and cityscapes.

After the sun sets we'll stop for a bite to eat before heading back out into the city to photograph some long exposures of The River Thames

Tripods

With this walk starting at 1pm, so the idea of carrying around a large and heavy tripod for the entire day may sound very unattractive indeed, so I wanted to propose that those of you joining us have a good look at the Gorillapod's from Joby.

joby_gorrillapod.jpg

I've got the Gorrillapod with a ball head for my Olympus and it's excellent: fits neatly into my bag and has a ball head too. It's incredibly light and superbly useful! I've tried a few other solutions, but to be honest the Gorillapod is the best of them all.

They come in different sizes and there options with and without ball heads. If you're interested in picking one up you can get them reasonably priced through Joby's shop on Amazon, right here:

Gorillapod for CSC's (Fuji, Sony A7's, Olympus etc)
http://bit.ly/joby-gorillapod-csc-ballhead
£23.66

Gorillapod for DSLR's
http://bit.ly/joby-gorillapod-slr-ballhead
£39.99

Join Us

If you're interested in coming along for the walk simply register your interest over on the events page. Or, if you're a member of Ready Steady Pro, or The Guild of Photographers you can confirm your attendance using the events page for those Facebook communities too.

See you on April 18th!!

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Gear, MicroFourThirds, Photography Michael Rammell Gear, MicroFourThirds, Photography Michael Rammell

Low-Light London with the Olympus OM-D E-M1

Pretty much everything you see in my portfolio was taken in London. It's no secret that I love the place. The variety and quality of the food, the friendly local faces, the multicultural nature of the people you'll see. It's a modern city set against an historic backdrop. I've mentioned before that other cities such as Paris and New York are often favoured in place of London when it comes to photographic qualities, but if you ask me I'll champion London any day of the week as one of the greatest photographers playgrounds going.

I live on the outskirts of London and go for a walkabout with the camera at least once or twice a week. Suffice to say I know the place pretty well. In the last 5 years I've seen it change as much as it has in the last 15. The gentrification is rapid, but unlike many cities much of the redevelopment is being done with respect for what was there before and with thought to history as well. London truly is unique. And even more so at night!

With it being so dark recently I have been more inclined to head home as soon as the light starts to fade, but I recently took receipt of my new Olympus OM-D E-M1 and the excitement of a new camera has made me go out and seek light among the shadows. So, today I want to share some photographs from London at night.

Almost all of the shots in this series see me pushing the E-M1 to the heights of what it can do in terms of high ISO. Fortunately for us Olympus shooters we've also got the outstanding in-built 5-axis stabilisation in our OM-D cameras, meaning we're able to shoot hand held at speeds lower than in cameras without this feature. You'll notice some of these are down at 1/15th of a second!

All of the images below were shot with either the Olympus OM-D E-M5 or the E-M1. It is worth noting though that anything the E-M5 is capable of, the E-M1 is simply better! I've only had the E-M1 for a week now, but I will be doing a review of it in due course. 

The lenses used were either the Olympus M.Zuiko 17mm f/1.8, the Olympus M.Zuiko 25mm f/1.8 or the Olympus M.Zuiko Pro 12-40mm f/2.8. Owing to the x2 crop factor that makes these lenses a 34mm, 50mm and 24-80mm respectively.

If you're the slideshow type then skip to the bottom for the slideshow. If you'd prefer to see the EXIF for each shot just scroll down and view each image.

Note: I'm a huge fan of black and white photographs and this is the reason you'll see many of the photographs in this series in mono. I find that the OM-D's render black and white's beautifully, and furthermore the Olympus RAW files can really be pushed in Lightroom to produce some stunning, contrasty monochrome photographs...but more on that in my upcoming E-M1 review :)

Enjoy!


Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 3200 | Aperture: f/1.8 | Shutter Speed: 1/50 

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 5000 | Aperture: f/3.5 | Shutter Speed: 1/1000 

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 5000 | Aperture: f/1.8 | Shutter Speed: 1/200 

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 5000 | Aperture:f/1.8 | Shutter Speed: 1/320 

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 5000 | Aperture: f/1.8 | Shutter Speed: 1/2000

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 5000 | Aperture: f/1.8 | Shutter Speed: 1/200

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 3200 | Aperture: f/10 | Shutter Speed: 1/13 

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 3200 | Aperture:f/1.8 | Shutter Speed: 1/100

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 3200 | Aperture:f/1.8 | Shutter Speed: 1/160 

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 3200 | Aperture:f/1.8 | Shutter Speed: 1/100

Olympus OM-D E-M5 & Olympus M.Zuiko 17mm f/1.8
ISO: 3200 | Aperture:f/1.8 | Shutter Speed: 1/60 

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 28mm
ISO: 3200 | Aperture:f/2.8 | Shutter Speed: 1/80

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 15mm
ISO: 1250 | Aperture:f/4.0 | Shutter Speed: 1/20

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 12mm
ISO: 3200 | Aperture:f/2.8 | Shutter Speed: 1/125

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 40mm
ISO: 3200 | Aperture:f/2.8 | Shutter Speed: 1/125

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 40mm
ISO: 3200 | Aperture:f/2.8 | Shutter Speed: 1/160

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 24mm
ISO: 3200 | Aperture:f/2.8 | Shutter Speed: 1/80

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 40mm
ISO: 3200 | Aperture:f/2.8 | Shutter Speed: 1/50

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 12mm
ISO: 3200 | Aperture:f/2.8 | Shutter Speed: 1/50

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 21mm
ISO: 4000 | Aperture:f/2.8 | Shutter Speed: 1/60

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 60mm
ISO: 4000 | Aperture:f/2.8 | Shutter Speed: 1/60

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 18mm
ISO: 4000 | Aperture:f/2.8 | Shutter Speed: 1/60

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 12mm
ISO: 4000 | Aperture:f/2.8 | Shutter Speed: 1/100

Olympus OM-D E-M1 & Olympus M.Zuiko Pro 12-40 f/2.8 @ 27mm
ISO: 4000 | Aperture:f/2.8 | Shutter Speed: 1/100

Olympus OM-D E-M1 & Olympus M.Zuiko 25mm f/1.8 @ 25mm (50mm)
ISO: 4000 | Aperture:f/1.8 | Shutter Speed: 1/60

Olympus OM-D E-M1 & Olympus M.Zuiko 25mm f/1.8 @ 25mm (50mm)
ISO: 4000 | Aperture:f/2.2 | Shutter Speed: 1/15

Conclusion

My conclusion is relatively simple: I'm very impressed!

Some of the photographs do contain a fair amount of digital noise (grain, if you prefer) but unlike the files I used to get out of my old Canon DSLR the noise isn't unpleasant. It's actually quite atmospheric in many of the photographs. So much so that I've actually opted to not use any noise reduction and leave the noise as it is! Others I've added a touch of Noise Reduction in Lightroom, but my personal rule is to never take the slider higher than 20. I love sharp images and noise reduction is the enemy of sharpness. Having said that, as I also eluded to in my own review of the Olympus OM-D E-M5 last year - the 

Slideshow

If you're more the slideshow sort, just click on any of the images in the grid below to view in a lightbox and then use your arrow keys (or swipe) to navigate to through the images).

Enjoy!


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